John Psathas – Three Psalms Solo Piano, Percussion, Harp & String Orchestra PE085E: Teacher’s score (Education only)

Formerly entitled Piano Concerto This item is only available for sale to schools or educational institutions and is not covered under the AMCOS school licencing scheme. The composer writes: “This work was commissioned by the New Zealand Symphony Orchestra at the instigation of Michael Houstoun (to whom it is dedicated). Michael’s playing inspired me throughout its composition, and his enthusiasm for the work as it grew boosted the confidence that can be sensed in the music.” I Chords of Power - The opening of this movement introduces a simple kind of melodic motion which evolves throughout the concerto. It is this simple idea which ‘tells the story’ of the concerto. In the first movement there is a tendency for the melody to fall by step; in the second movement it vacillates, is often uncertain and sometimes even becomes lost. By the third movement, all of the motion is upward by step—eventually ecstatically so. II Inferno - The second movement was inspired by the haunting and deeply disturbing images in in James Nachtwey’s photographic elegy, Inferno. Nachtwey travels to the world’s most troubled places, looks at the grimmest sights to be seen there and photgraphs them in such a way as to thrust them into the view of the world. It seems impossible to go through Nachtwey’s book in one sitting—to do so gives the feeling that one’s own soul is irretrievably dissipating. Musically, energy is constantly atrophying in this movement, yielding to despair. It requires the positive energy of the entire final movement to pull one out of the pit. III Sergei: Book 3, Chapter 1 - As the finale to the work evolves it becomes a celebration of one of the most ebullient passages in piano concerto literature; the initial allegro passage in the first movement of Prokofiev’s third concerto. This material has inspired me for the entire course of my musical life to date, and I have always wished that it lasted longer and went further. As I composed the final movement of my concerto, there developed an irresistable gravity which drew together the energy in Prokofiev’s concerto and that in my own. © 2004 John Psathas

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